If it turns out that their relationship is real and Benjamin on the side of the angels, it will work. Jennings surely has much more to show us with Tom (otherwise, y’know, you don’t get Jennings) and Ormond grounds the whole thing in truth.
#Julia ormond dating full
However, Gold Digger works beautifully as a soapy drama that promises to be full of twists and turns but emotional and psychological substance too. But surely the obvious inference is too obvious, no? Then we must factor in the chances of a drama having been written and commissioned that ends in the humiliation of an older woman by a younger lover, instead of fighting the good fight for a cultural shift that no longer pushes anyone over the age of 35 out of the sexual (televisual) arena.
The first scenes in this opening episode are of a distraught Julia muddying her wedding dress as she runs for her car before driving off in haste. Whether this means he is truly the wrong ’un they fear him to be, only the next five weeks will make clear. But that is half the fun of watching any drama in which sexual politics swirl so potently).īenjamin appears almost to revel in the family’s discomfort. Julia’s daughter Della (Jemima Rooper) is relatively sanguine about the relationship, noting that her mother seems happy for the first time since Tom left (and possibly reasoning that if cashing in a few ISAs was the price of being with a thirtysomething with Benjamin’s lean muscle/body fat percentage it is money well spent – though I may be projecting. This is also partly why he is manfully trying to resist having an affair with a colleague while his newborn baby is turning his life upside down at home. And they do love and want to protect her they have all but stopped speaking to their father after his betrayal and Patrick especially understands how much she has been hurt. Their mother is a rich woman and Benjamin is a copywriter who, in all fairness to the boys, appears to do very little copywriting. Her sons Patrick (Sebastian Armesto) and Leo (Archie Renaux) are instantly appalled, and suspicious of his motives. There is nothing more compelling than dramas in which every scene delivers the story and a new Rorschach test at the same time.Īnd if you were one of her three children presented with him at dinner a few short months later, how would you react? Well? What would you have done? Been secretly flattered, laughed it off, but gone about the rest of your day with a lighter step? Been instantly defensive and sent him away with a flea in his young ear? Or confidently accepted it as your due? Whatever the answer, you are unlikely not to be hooked for the rest of the series. She and Benjamin get chatting, he asks her to go for a drink, an affair begins that evolves into a relationship and, a year later, a wedding is being prepared. Her husband, Tom (Alex Jennings), ran off with her best friend, Marsha (Nikki Amuka-Bird), a while ago and she is altogether at a low ebb. Julia Day (Julia Ormond, and please, while we’re here, why don’t we see more of Ormond? She is so good everywhere and brilliantly believable in this) falls into conversation with Benjamin (Ben Barnes) during a visit to the British Museum after a planned 60th birthday celebration that all three of her children failed to attend.
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